Guest post by Madison Teuscher
I was surprised when I learned that Anna Nicole Smith’s story had been turned into an opera. Smith was a celebrity most known for being a Playboy model and marrying a man 60 years older than her—I thought there was no way her story would be suited to the high-brow opera stage. However, I soon discovered that Anna’s story is perfect for opera—it is dramatic, full of conflict and disagreement, and Anna’s eccentric personality makes for a perfect starring diva. While her story may seem frivolous and silly, it actually explores much deeper topics relating to women, madness, and relationships with men of power.
The opera, titled Anna Nicole, was written in 2011 by Mark-Anthony Turnage, and the libretto (the words of the opera), was written by Richard Thomas. This dramatic tale is both emotionally hard-hitting and over-the-top and gaudy. This is certainly not an opera to bring your grandma to; it is vulgar and crass, but also full of nuance and tenderness. The premiere of the two-act opera garnered a big publicity stir. Some reviews praised it as “brilliant, dangerous, but exhilarating”, but many had harsh criticism for the opera, saying it was “lacking in real tunes and real drama and a piece of terrible garbage”. Why is the story of a stripper, Playboy model, and sex symbol so disconcerting?