Whether you’ve have had a School Resource Officer question your overall health on the appearance of your outfit or have possibly been sent home due to observable bra-straps, it’s plausible that you’ve seen the rise in strict dress codes, especially those in schools.
Though schools aren’t the only location that dress codes are enforced; workplaces, public spaces, and even homes are all authorized by those who can control what others wear. In strict households this could be a parent who doesn’t enjoy the openness of an outfit, at work it could be a Human Resources member, in public even the government has the power to deem what is or isn’t allowable to play
When searching for “spouse abuse statistics” on Google, a recommended question by the search engine popped up, asking the question “When did it become illegal to beat your wife?” Taken aback, I read the sentence again, a sentence that sounded like the question asker was displeased about now missing out on an antiquated and unbecoming act, like that of spousal abuse.
My eyes were bouncing back and forth on the search page like a Newton’s cradle, reading the sentence repetitively to decipher why the question sounded like an angsty child whose bedtime was moved to an hour earlier. I wondered why the opposite didn’t reveal itself to me. I wondered how the idea of spousal abuse was less of a tragedy and more of a indulgence to men, and why this terrible act seemed to weigh more towards women not being victims but rather exclusive figures to lash anger out onto.
Why has this malicious act of violence towards women become less of a crime and more of a phenomenon of missing out? Is it because for decades men have been allowed a legal and cultural right to abuse women? Is it because despite spousal abuse being made illegal in the 1920s, modern attention towards and advocacy against domestic abuse didn’t surface until the 1970s?
It would be outlandish to even think that such an antiquated problem as domestic abuse would even still be a problem in the age of Facebook and cell phone cameras, right?
The new singer/songwriter supergroup boygenius consists of a trio of culturally momentous women at the forefront of the indie folk genre. Virginian native Lucy Dacus, LA-based Phoebe Bridgers, and Tennessee-born Julien Baker have joined forces to bring a much-needed collaboration of contemporary folk to the year 2018.
For a sizable portion of modern music culture, transgender artists have had to work harder than cisgender artists while receiving less recognition and praise for similar performances of their skills and talents. Yet in 2018 and the years that now will follow, artists such as Scottish DJ, singer and producer SOPHIE (stylized in all capitals) are attempting to take a commanding hold on the industry and orient their power into a new realm of acceptance.
Hello, I am junior Journalism student at the University of Idaho with a minor focus in Creative Writing. The opportunity to write for the Women’s Center as a blogger was offered by a previous mentor, Lauren Westerfeld, who now teaches writing at Washington State University. I’m a column writer for the Arts and Culture section at the Argonaut in Moscow who decided to pursue a career possibility like this writing internship because I have been a strong advocate for women’s rights and equality for a significant portion of my life. I also want to provide an apt minded male’s perspective to issues like non-binary gender disproportionality and inequality in a changing era that alludes towards an overdue female renaissance.
Aside from being a passionate writer in the non-fiction and poetic fields, my life revolves around my music intake. Bands like Radiohead or lyricists like Phil Elverum — lead creator from the Microphones, Mount Eerie — have prompted me to take writing into the commonly overlooked coincidental reality I am in by promoting me to focus on similes, metaphors and abstract sarcastic prose writing that — I hope — has rarely been attempted before. Although music is my central focus, I enjoy authors like Chuck Klosterman and Kurt Vonnegut and enjoy the films of David Lynch and Terry Gilliam. I DJ at the Moscow-based radio station KUOI on a weekly basis and I am a non-fiction previewer/reader for the University of Idaho founded Fugue Journal.
In addition to the experience this internship will provide me, I hope to come out of it a more culturally aware and observant person. I wish to promote the lives of my fellow XXs and remind my XY brethren that respecting women in 2018 is an underrated quality to have. I want to change thinking processes, adjust the scope of masculinity and fixate more on the power of inclusion of all kinds rather than the exclusion that is so vehemently loved by extreme thinkers such the alt-right. I wish for enjoyable peace, a decrease in global disruption and a place of mind devoid of bias that avidly encourages forward and critical thinking.
“Amateurs sit and wait for inspiration, the rest of us just get up and go to work.” – Stephen King