For decades the work of female musicians has been undermined by the work of their male counterparts, yet in the 90s, 00s and now the 10s that will soon move into the 20s the music industry — and music as a whole — is straying away from an ongoing landscape that has been long dominated by men. The transition however could not be possible without forward thinking and passionate musicians, and in this article I have decided to take note of a few of these creative female producers that to me are pioneering this changing battleground of sound!
Whether you’ve have had a School Resource Officer question your overall health on the appearance of your outfit or have possibly been sent home due to observable bra-straps, it’s plausible that you’ve seen the rise in strict dress codes, especially those in schools.
Though schools aren’t the only location that dress codes are enforced; workplaces, public spaces, and even homes are all authorized by those who can control what others wear. In strict households this could be a parent who doesn’t enjoy the openness of an outfit, at work it could be a Human Resources member, in public even the government has the power to deem what is or isn’t allowable to play
When searching for “spouse abuse statistics” on Google, a recommended question by the search engine popped up, asking the question “When did it become illegal to beat your wife?” Taken aback, I read the sentence again, a sentence that sounded like the question asker was displeased about now missing out on an antiquated and unbecoming act, like that of spousal abuse.
My eyes were bouncing back and forth on the search page like a Newton’s cradle, reading the sentence repetitively to decipher why the question sounded like an angsty child whose bedtime was moved to an hour earlier. I wondered why the opposite didn’t reveal itself to me. I wondered how the idea of spousal abuse was less of a tragedy and more of a indulgence to men, and why this terrible act seemed to weigh more towards women not being victims but rather exclusive figures to lash anger out onto.
Why has this malicious act of violence towards women become less of a crime and more of a phenomenon of missing out? Is it because for decades men have been allowed a legal and cultural right to abuse women? Is it because despite spousal abuse being made illegal in the 1920s, modern attention towards and advocacy against domestic abuse didn’t surface until the 1970s?
It would be outlandish to even think that such an antiquated problem as domestic abuse would even still be a problem in the age of Facebook and cell phone cameras, right?
The new singer/songwriter supergroup boygenius consists of a trio of culturally momentous women at the forefront of the indie folk genre. Virginian native Lucy Dacus, LA-based Phoebe Bridgers, and Tennessee-born Julien Baker have joined forces to bring a much-needed collaboration of contemporary folk to the year 2018.
For a sizable portion of modern music culture, transgender artists have had to work harder than cisgender artists while receiving less recognition and praise for similar performances of their skills and talents. Yet in 2018 and the years that now will follow, artists such as Scottish DJ, singer and producer SOPHIE (stylized in all capitals) are attempting to take a commanding hold on the industry and orient their power into a new realm of acceptance.